A Fine Canopy: Poems

Click here to support your local bookstore.

Click here to order directly from the publisher.

Detroit, Michigan: Wayne State University Press

“It makes sense that a terrain as extraordinary as the Great Lakes would find voice in a poet as glorious as Alison Swan. I am smitten. Swan writes with bone-deep passion, astonishing clarity, and watchful tending about life ‘at the edge of a freshwater sea.’ This collection is an almanac, a chronicle, a sacrificial offering to a particular landscape, and also a paean to all beings. The poems fly about with lives of their own, breathing inside their skins, beautiful and endangered.” – Janisse Ray, author of Ecology of a Cracker Childhood and A House of Branches: Poems

“These poems offer us acts of attention and tenderness, two things we need now more than ever.” -Mary Ruefle, Vermont poet laureate and finalist for the 2020 Pulitzer Prize for poetry

“Thank all the muses that these beautiful poems by Alison Swan arrive to help us take notice of our own fragility and that of our world. Not oblivious to sorrow, far from it, but so raptly involved in all that constitutes the ground beneath our feet and the canopy above us as to give us heart. This book is truly restorative reading.” – Linda Gregerson,  Prodigal: New and Selected Poems

“These poems thrive beneath a canopy of nuanced connections with crows, stars, leaves, lakes, a lover, a daughter, and most potently, a self. Swan offers us poems of faith and resilience that arise from her deep sustained perception of a natural world where ‘everything gives back light.'” – Diane Seuss, author of Four-Legged Girl  and Still Life with Two Dead Peacocks and a Girl

From the publisher

Alison Swan’s collection of poems, A Fine Canopy, illustrates how the natural world envelops and encloses us with so many beautiful things: crowns of leaves, the ubiquitous blue sky, our luminous moon, and snow. So much snow. An ecopoet whose writing shows her advocacy for natural resources, in this collection Swan calls the reader to witness, appreciate, and sustain this world before it becomes too late.

These poems were written out of an impulse to track down wisdom in the open air, outside of the noisy world of cars and commerce. Swan seeks insight on shores and in scraps of woods and fields—especially on four particular peninsulas: Michigan’s upper and lower, Florida, and Washington state’s Olympic—and also inside motherhood, which might be the wildest place of all. These are poems about the interconnection of all things, and “knowing things we cannot see.” A journey through seasons with a soundtrack of birdsong, Swan’s words are incredibly sensory. The reader is made to feel the weight of muddy jeans, the jolt at the tug of a dog’s leash, and to see the bright flash of a cardinal’s red plumage. Swan’s poems remind us that although we all want to make a mark on our world, the smaller the better: stepping into fresh snow, dashing through forests atop dry leaves, laying wet bodies on warm concrete. These quiet interactions with places are as hopeful as they are harmless.

Without necessarily tackling the topics head-on, A Fine Canopy evokes the devastation of climate change and the destruction of natural resources. This book engages deeply with the other-than-human to express and investigate alarm, dismay, anger, admiration, adoration in what feels like the end of the world unless we begin to think outside the box. These poems will carry weight with all readers of poetry, especially those who are interested in ecopoetry and connecting with the world around them.

Browse books.

Find new interviews with Alison Swan here.